Daria Restoration Project

Something called 'The Daria Restoration Project.' Essentially, certain Daria fans had taken to combining the high-quality video and spoken audio of the official DVDs with the music that accompanied the original broadcasts, either sourced from old television recordings or by manually inserting the pertinent songs. View Daria Tuzhikova’s profile on LinkedIn, the world's largest professional community. Daria has 13 jobs listed on their profile. See the complete profile on LinkedIn and discover Daria’s.

Wed, Feb 22nd 2012 1:56pm — One of the things I've never liked about copyright is its potential to be the functional equivalent of censorship. Sometimes this censorship comes about because an author didn't get permission to create his work in the first place (see:, ). While this unfortunately turns judges into cultural gatekeepers, it's been deemed a necessary balance between copyright law and the First Amendment, and harm to the public is arguably lessened by the fact that we don't know what we're missing; because the censored work is never able to reach and impact us, we've only lost the potential of its cultural contribution. However, other times a work is created with the initial blessing of copyright, makes its mark on the public, then becomes effectively censored down the line due to licensing restrictions (see:, ).

This is much more culturally pernicious because it deprives the public of a work already in its lexicon, and the sense of loss is far more palpable as a result. Often, the only way to get the work back in the public's hands is to perform triage, excise the no-longer-licensed content, and try to be happy with a bastardized version of the work (see:, ). What's interesting, however, is how we've seen, when copyright law stands in the way. I recently picked up a DVD collection of, one of the last good things MTV ever produced.

The show had an immense impact on my childhood, in no small part because of how it helped frame pop culture for me with its liberal use of MTV-placed contemporary music, and I was incredibly excited to relive that experience. When I opened up the DVD case, however, I was greeted with the following message: For those who can't see the note, it says in the pertinent part: 'So let's answer the big question right away: 99 percent of the music has been changed, because the cost of licensing the many music bites we used would have made it impossible to release the collection (and for many years did). So no, these aren't the shows as aired, but more like one of those astronauts in a TWILIGHT ZONE episode who returns from space and his wife can't figure out what's changed about him, until it slowly dawns on her that instead of a cool song from 1997 playing when he walks into the room, it's some tune she's never heard. Yeah, it's just like that.' Needless to say, I was disappointed.

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