The Tempest Play

Prospero’s desire to return home to Italy and reclaim his position as the rightful Duke of Milan drives the plot of The Tempest. However, we don’t know about Prospero’s history until the second scene of the play.

The Tempest by William Shakespeare directory search The Tempest • Please see the bottom of this page for helpful Tempest resources. • • Act 1 • On a ship at sea: a tempestuous noise • The island. Before PROSPERO'S cell. • Act 2 • Another part of the island.

• Another part of the island. • Act 3 • Before PROSPERO'S Cell. • Another part of the island. • Another part of the island. • Act 4 • Before PROSPERO'S cell. • Act 5 • Before PROSPERO'S cell.

_____ Related Articles In the Spotlight Quote in Context You taught me language; and my profit on't Is, I know how to curse. The red plague rid you For learning me your language! Montaigne's essay on the New World,, is an undisputed source for Shakespeare's The Tempest. Both works are concerned with the differences between natural and artificial society and between barbaric and moral man.

Gonzalo's speech on an ideal commonwealth (2.1.143-160) is a direct reference to and refutation of Montaigne's notion of a utopian society, which would be free from obedience to social and moral laws. Notice that Caliban, the name of the character who represents Montaigne's natural man, is an anagram of cannibal (spelled canibal in Shakespeare's time). You can read more about Caliban Shakespeare also had access to a fascinating report by William Strachey, an author and explorer who had been marooned for ten months in Bermuda. It seems Strachey's tales greatly influenced Shakespeare, particularly his accounts of the shipwreck and island life.

You can read more about Shakespeare's connection to Strachey _______ Points to Ponder We are such stuff As dreams are made on; and our little life Is rounded with a sleep. 'In The Tempest and A Midsummer Night's Dream Shakespeare portrays man in connection with the supernatural. The principal difference between the plays so far as they relate to this subject is accurately summarised by Victor Hugo as follows ' A Midsummer Night's Dream depicts the action of the invisible world on man; The Tempest symbolizes the action of man on the invisible world.' ' [William H. Fleming] Note that the above quotation is an example of enjambement, which is when the end of the clause does not coincide with the end of the verse or line, and runs on to the next line. _______ ©1999-2018 Amanda Mabillard.

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Plot Overview A storm strikes a ship carrying Alonso, Ferdinand, Sebastian, Antonio, Gonzalo, Stephano, and Trinculo, who are on their way to Italy after coming from the wedding of Alonso’s daughter, Claribel, to the prince of Tunis in Africa. The royal party and the other mariners, with the exception of the unflappable Boatswain, begin to fear for their lives. Lightning cracks, and the mariners cry that the ship has been hit. Everyone prepares to sink.

The next scene begins much more quietly. Miranda and Prospero stand on the shore of their island, looking out to sea at the recent shipwreck. Miranda asks her father to do anything he can to help the poor souls in the ship. Prospero assures her that everything is all right and then informs her that it is time she learned more about herself and her past. He reveals to her that he orchestrated the shipwreck and tells her the lengthy story of her past, a story he has often started to tell her before but never finished. The story goes that Prospero was the Duke of Milan until his brother Antonio, conspiring with Alonso, the King of Naples, usurped his position. Kidnapped and left to die on a raft at sea, Prospero and his daughter survive because Gonzalo leaves them supplies and Prospero’s books, which are the source of his magic and power.

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Prospero and his daughter arrived on the island where they remain now and have been for twelve years. Only now, Prospero says, has Fortune at last sent his enemies his way, and he has raised the tempest in order to make things right with them once and for all. After telling this story, Prospero charms Miranda to sleep and then calls forth his familiar spirit Ariel, his chief magical agent. Prospero and Ariel’s discussion reveals that Ariel brought the tempest upon the ship and set fire to the mast. He then made sure that everyone got safely to the island, though they are now separated from each other into small groups. Ariel, who is a captive servant to Prospero, reminds his master that he has promised Ariel freedom a year early if he performs tasks such as these without complaint.

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